Author: newsletter

A love story set against the backdrop of the 1960s amid the turbulent years of anti-war protest, mind exploration and rock ‘n’ roll, moving from the dockyards of Liverpool to the creative psychedelia of Greenwich Village, from the riot-torn streets of Detroit to the killing fields of Vietnam. The star-crossed lovers, Jude and Lucy, along with a small group of friends and musicians, are swept up into the emerging anti-war and counterculture movements, with Dr. Robert and Mr. Kite as their guides. Tumultuous forces outside their control ultimately tear the young lovers apart, forcing Jude and Lucy–against all odds–to find their own way back to each other.

A man named Mr. Smith (Owen) delivers a woman’s baby during a shootout, and is then called upon to protect the newborn from the army of gunmen.

If it’s half as awesome as the trailer makes it look, it’ll be pretty great.

Writer/director Jeffrey Blitz (Spellbound) tackles the mysteries of life, love and public speaking in a wry comedy of adolescent angst. Teenager Hal Hefner (Reece Daniel Thompson) inhabits a cosmically ridiculous, often incomprehensible world. His erratic stutter can leave him hopelessly tongue-tied at the worst possible moments, sending him fleeing for his secret refuge—the high school janitor’s closet. So it comes as a complete, though not unwelcome, surprise when the debate team’s star member, the hyper-articulate beauty Ginny Ryerson (Anna Kendrick), approaches Hal to join her team. Mixing humor with compassion, Blitz creates a film about the little insights that can emerge from, and ultimately eclipse, the agonies and disappointments of youth.

A dignified send-off for a loved one erupts into uproarious chaos when romance, jealousy, in-laws, hallucinogens, dark secrets, life-long yearnings and a spot of bold blackmail collide graveside in this irreverent British comedy.

Rogue agent Jason Bourne (Matt Damon) is being hunted by the people in the CIA who trained him to be an assassin. Still suffering from amnesia and determined to finally learn of his true identity, he is lured out of hiding to contact a journalist named Simon Ross (Paddy Considine), who has been following his story. Throughout his research, Ross has gathered valuable information about Bourne and Treadstone, which trained him. This is rather inconvenient for U.S. government official Noah Vosen (David Strathairn), who is hoping to start a new organization under the codename Blackbriar (which is briefly mentioned at the end of the first film) which would follow in Treadstone’s footsteps.

With intent to kill Bourne and the journalist before they expose the program’s disturbing secrets, Vosen sends agent Pamela Landy (Joan Allen) to lead the search effort. Simultaneously, Paz (Edgar Ramirez), one of the remaining living Treadstone assassins, is dispatched to find and neutralize Bourne and Ross. In order to finally learn of his true origins and find inner peace, Bourne will have to evade, out-maneuver, and outsmart the deadliest group of highly-trained agents and assassins yet.

Ten stories, each inspired by one of the ten commandments.

A tense, claustrophobic thriller set 50 years from now, as the sun is dying and mankind along with it. Our last hope: a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But deep into their voyage, out of radio contact with Earth, their mission is starting to unravel. There is an accident, a fatal mistake, and a distress beacon from a spaceship that disappeared seven years earlier. Soon the crew is fighting not only for their lives, but their sanity.

Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Edward Burtynsky creates stunningly beautiful art from civilization’s materials and debris. Director Jennifer Baichwal follows Burtynsky through China, as he shoots the evidence and effects of that country’s massive industrial revolution. With breathtaking sequences, such as the opening tracking shot through an almost endless factory, the filmmakers also extend the narratives of Burtynsky’s photographs, allowing us to meditate on our impact on the planet and witness both the epicenters of industrial endeavor and the dumping grounds of its waste.

In the 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. With the support of his irrepressible and tempestuous girlfriend Vernell (Taraji P. Henson), the newly minted ex-con Petey (Don Cheadle) talks his way into an on-air radio gig. At WOL-AM, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk (Cedric The Entertainer) and Sunny Jim (Vondie Curtis Hall). Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling (Martin Sheen). As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have.

John McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.