Category: Uncategorized

Struggling reporter Bob Wilton (Ewan McGregor) gets the scoop of a lifetime when he meets Lyn Cassady (George Clooney), who claims to be from a unit of psychic soldiers who have been reactivated for duty. Intrigued by Cassady’s assertions that they can walk through walls and kill goats by fixed gazes, Wilton follows him on a dangerous, top-secret mission across Iraq to find the brigade’s founder, Bill Django (Jeff Bridges).

Set in 1960s and 1970s England, The Damned United tells the confrontational and darkly humorous story of Brian CloughÂ’s doomed 44-day tenure as manager of the reigning champions of English football Leeds United. Previously managed by his bitter rival Don Revie, and on the back of their most successful period ever as a football club, Leeds was perceived by many to represent a new aggressive and cynical style of football – an anathema to the principled yet flamboyant Brian Clough, who had achieved astonishing success as manager of Hartlepool and Derby County building teams in his own vision with trusty lieutenant Peter Taylor. Taking the Leeds job without Taylor by his side, with a changing room full of what in his mind were still DonÂ’s boys, would lead to an unheralded examination of CloughÂ’s belligerence and brilliance over 44 days. This is that story. The story of The Damned United.

Since the birth of movies, New York has long been cinema’s dream city—its teeming populace of one-of-a-kind characters, its stone-and-glass skyscrapers rocketing towards the heavens, its subterranean cultures and its rooftop love affairs all making for the perfect backdrop to all manner of action, comedy, drama and poetry. Directed by an eclectic group of some of today’s most imaginative filmmakers, including Mira Nair, Yvan Attal, Brett Ratner, Natalie Portman and Fatih Akin, New York, I Love You is a collective film that invites the audience into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Their stories are woven together to form a colorful, lyrical collage not only of the city—but of the deep yearning for love and human connections that sustain everyone within it.

Clyde Shelton (Gerard Butler) is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice (Jamie Foxx), a hotshot young Philadelphia prosecutor, is assigned to the case. Over his objections, Nick is forced by his boss to offer one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward ten years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning to Nick: Either fix the flawed justice system that failed his family, or key players in the trial will die.

In an alternate reality, lying — even the concept of a lie — does not even exist. Everyone — from politicians to advertisers to the man and woman on the street — speaks the truth and nothing but the truth with no thought of the consequences. But when a down-on-his-luck loser named Mark suddenly develops the ability to lie, he finds that dishonesty has its rewards. In a world where every word is assumed to be the absolute truth, Mark easily lies his way to fame and fortune. But lies have a way of spreading, and Mark begins to realize that things are getting a little out of control when some of his tallest tales are being taken as, well, gospel. With the entire world now hanging on his every word, there is only one thing Mark has not been able to lie his way into: the heart of the woman he loves.

A cowardly shut-in named Columbus (Jesse Eisenberg) is forced to join up with a seasoned zombie slayer named Tallahassee (Woody Harrelson) in order to survive the zombie apocalypse. As Tallahassee sets out on a mission to find the last Twinkie on Earth, the duo meets up with Wichita (Emma Stone) and Little Rock (Abigail Breslin), two young girls who have resorted to some rather unorthodox methods to survive amidst the chaos. Reluctant partners in the battle against the undead, all four soon begin to wonder if it might be better to simply take their chances alone.

People are living their lives remotely from the safety of their own homes via robotic surrogates — sexy, physically perfect mechanical representations of themselves. It’s an ideal world where crime, pain, fear and consequences don’t exist. When the first murder in years jolts this utopia, FBI agent Greer (Willis) discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery.

Rarely can a film penetrate the glamorous surface of rock legends. “It Might Get Loud” tells the personal stories, in their own words, of three generations of electric guitar virtuosos–The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play.

A thoughtful but outrageous black comedy from Bobcat Goldthwait, World’s Greatest Dad is the story of a man who learns that the things you want most may not be the things that make you happy, and that being lonely is not necessarily the same as being alone. Robin Williams stars as Lance Clayton, a man who has learned to settle. He dreamed of being a rich and famous writer, but has only managed to make it as a high school poetry teacher. His only son Kyle (Daryl Sabara) is an insufferable jackass who wonÂ’t give his father the time of day. Lance is dating Claire (Alexie Gilmore), the schoolÂ’s adorable art teacher, but she doesnÂ’t want to get serious—or even acknowledge publicly that they are dating. Then, in the wake of a freak accident, Lance suffers the worst tragedy and greatest opportunity of his life. He is suddenly faced with the possibility of all the fame, fortune and popularity he ever dreamed of, if he can only live with the knowledge of how he got there.

Cold Souls, a metaphysical tragicomedy in which souls can be extracted and traded as commodities. Balancing on a tightrope between deadpan humor and pathos, and between reality and fantasy, the film presents Paul Giamatti as himself, agonizing over his interpretation of Uncle Vanya. Paralyzed with anxiety, he stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by deep-freezing souls. Giamatti enlists their services, intending to reinstate his soul once he survives the performance. But complications ensue when a mysterious, soul-trafficking “mule,” transporting product to and from Russia, “borrows” Giamatti’s stored soul for an ambitious, but unfortunately talentless, soap-opera actress. Rendered soulless, he is left with no choice but to follow the trail back to bleak St. Petersburg